- The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.展开
影片资料
影片名称：上帝是个女人
影片别名：shangdishigenvren
上映时间：2023
国家/地区：法国
影片语言：其它
影片类型：电影,纪录片
影片演员：Andrés,Peyrot
资源类别：HD中字
资源更新：已完结
总播放次数：273次
添加时间：2025-01-08 20:45:31
剧情介绍:
电影,纪录片《上帝是个女人》全集免费在线观看由碟调网收集于网络，一部很不错的影片,如果觉得不错还可以分享给你的朋友一起看哦...
The Search for a lost film from the 70s takes a young man from one of South America's largest indigenous communities on an existential journey in a post-colonial film about the right to one's own image
In the 1970s, Oscar-winning French documentary filmmaker Pierre-Dominique Gaisseau moved with his family to Panama to make a film about the Kuna community, one of South America’s largest indigenous peoples. He promised them that they would see it, but for various reasons, production stalled and the film (with the working title ‘God is a Woman’) was never completed. But what happened to the unfinished film reels? That’s what young Arysteides Turpana, on the mandate of the Kuna elders, sets out to find out. His journey takes him to France, but gaining access to the dusty film reels is not easy. Following in his footsteps is Swiss-Panamanian director Andrés Peyrot, who has created one of the year’s biggest festival successes since its premiere at the Venice Film Festival. A film that manages to turn abstract questions about the right to own one’s own image and narrative into a relevant and existential necessity.
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